[Articles]
THE COMPOSITION-INSTRUMENT: MUSICAL EMERGENCE AND INTERACTION
by Nobert Herber
Composer and sound artist Nobert Herber explores the question "What kinds of compositional technique can be used to create a music" in the field of computer games and interactive digital media where the line between "composition" and "instrument" is increasingly blurred.
LeWITT’S IDEAL CHILDREN
by Domenico Quaranta
"Software art is conceptual art's acknowledged son" is the hypothesis around which art critic and curator Domenico Quaranta builds his anyalisis on genealogy of software art: "Is the history of conceptual art relevant to the idea of software as art?"
DISSONANCE, SEX AND NOISE: (RE)BUILDING (HI)STORIES OF ELECTROACOUSTIC
MUSIC
by Miguel Álvarez Fernández
Composer, musicologist and curator Miguel Álvarez Fernández deconstructs the reading of history of electroacoustic music through the concepts of dissonance and noise.
BEHIND TECHNOLOGY: SAMPLING, COPYLEFT, WIKIPEDIA AND TRANSFORMATION OF
AUTHORSHIP AND CULTURE IN DIGITAL MEDIA
by Sachiko Hayashi
With sampling as starting point, artist Sachiko Hayashi relocates several issues relevant to the culture of digital media.
TIME AND REAL-TIME IN ONLINE ART
By Ewa Wojtowicz
"New media artists, notably net artists, analyse the issue of time. Their field of interest includes time as a whole, their own time and the viewer’s time....If there is a navigable cyberspace – does it imply navigable time as well?" New Media Art historian Ewa Wojtowicz examines net art practice that employs time from various perspectives.
OPENING UP PUBLIC SPACE
By Art Clay
Sound artist Art Clay's "China Gate" is a music project which utilises GPS to coordinate musicians whose physical presences are dispersed throughout a city. By "using wearable computing technology within global ubiquitous networks as an art tool," "China Gate" tries to open up civic space for "one of the most important functions of public performance: social interaction. "
No comments:
Post a Comment