Showing posts with label Globalisation. Show all posts
Showing posts with label Globalisation. Show all posts

Monday, November 04, 2013

The I in M.I.A is Mathangi



We have new product from Mathangi "Maya" Arulpragasam, better known by her stage name M.I.A. Mathangi was released late 3 days ago on 1 November 2013 after lots of stops and starts. It is now streamed online via YouTube. In a review for Vice.com, Ayesha A. Siddiqi states; M.I.A. is "sampling all the nonwhiteness of her global south palate. She doesn’t just traffic in Otherness, she revels in it". I totally get where Ayesha is coming from, and going to. The readership of Vice.com are the ones that need introducing to the global south. But I think describing M.I.A as part of the view from the palisades of Williamsburg is missing the fact that she is the window. Maya is bringing the noize and making it better for everyone.



The world M.I.A is reporting back from for the readers of Vice.com is so further on from what Ayesha terms "writing nursery rhymes for post-colonial angst", which she covers with a simple label: "diaspora". But the sins of origin live on in the scattering of souls across a map of borders and barriers, passports and facial identification.



In the audio of M.I.A we are moving through the sound window with the true migrators. The clandestine and digital of a global movement that are throwing their bodies against the walls of Europe, Riyadh and the Rio Grande and at the same time reading newspapers on free wifi in Singapore between shifts and begging on trains with an iPhone in the pocket in Stockholm. Against this movement, race is the post-state default of identity in the fragmenting USA. Post-colonial angst comes with passport stamps and the domestic staff sleeping in the garage. What M.I.A is giving us is a celebration of possibilities not a reflection of failures. This celebration is a fountain of original content beaten out on pirated software and broken instruments, the chaos and broken chains that inspire the likes of Vice.com. But such an organization cannot become part of this culture because that would destroy the barrier that makes exchange possible. So when Ayesha writes "The packaging doesn’t undermine the message; it is the message," this applies as well to the media pyramid that delivers "worldtown"  to the masses amid the meltdown of the reality they are always trying to second guess.  if you doubt this reading just witness the loss-of-context by Vice in Jihadists or Boredom? The Choices Aren't Great for Syria's Kurdish Refugees where civil war just seemed to happen -  sans the redrawing of the Middle East since 9/11 by the present Imperial Power.




I like to think I am part of this inevitable meltdown. I grew up a white male in a black country located in Asia (Australia). I latched on to the first global movement of transience I could find. Back in 1995 this was the Rainbow/Rave Coalition that recruited the disenchanted from all social classes and gave them a seasonal trail that stretched from Tasmania to Varanasi to Stockholm to Rio. Today this vision has been diluted in the west by the hipster herd. The voice of the anti-WTO riots of 1999-2001 was its political high water mark.



But today, if one steps ahead of the crowd, made possible by such windows as those created by M.I.A, then one can access and even participate in a growing culture of true Worldtown. Welcome to the post-state planet.

Wednesday, August 08, 2012

A List of Olympic Games Corresponding with Political Party in Power of Host Nation since WWII

"The stated benefits for a community from the staging of an Olympic Games are often equally vague. These benefits are usually uncosted and their value inflated. After an Olympic Games there is limited assessment as to whether any proposed benefits have been realised" (Impact of the Olympic Games on Host Cities by R Cashman). 

2012 - Great Britain (Conservative/Liberal Democrat coalition led by David Cameron)
2008 - (Presidential election year) Peoples Republic of China (Communist one party state run by a central politburo)
2004 - (Election Year) Greece (Conservative New Democracy party led by Costas Karamanlis)
2000 - (Federal election Year) Australia (Conservative Liberal-National coalition led by John Howard)
1996 - (Presidential election year) United States of America (Centre-left President and Conservative controlled legislature)
1992 - Spain (Centre socialist government with cooperation from nationalist members led by Felipe González)
1988 - (Election year) South Korea (Conservative Democratic Justice Party with ties to the military led by Roh Tae Woo)
1984 - (Election year) United States of America (Conservative President and split legislature)
1980 - Union of Soviet Socialist Republics (Communist one party state run by a central politburo)
1976 - (Election in Quebec) Canada (Conservative Liberal government led by Pierre Trudeau)
1972 - (Election year) West Germany (Social-Liberal Coalition led by Willy Brandt)
1968 - Mexico (Centre-socialist, authoritarian Institutional Revolutionary Party led by Díaz Ordaz)
1964 -  (Election Year) Japan (Liberal-Democratic government led by Hayato Ikeda)
1960 -  (Election Year) Italy - (Conservative Christian Democratic Party Government led by Fernando Tambroni)
1956 -  Australia (Conservative Liberal government led by Robert Menzies)
1952 - Finland (Conservative Agrarian League government led by Urho Kekkonen)
1948 - Great Britain (Labour Party government led by Clement Atlee)

Of seventeen Olympic Games since World War II, ten have been held in election years for the host nation or 58.82%. Only three of the seventeen or 17.65% had non-conservative or non-totalitarian government at the time of hosting the Games. Every Summer Olympic Games coincides with a Presidential Election in the United States the same year. The Games are always in the summer (July-August) and the Presidential Election is in November.

Monday, October 10, 2011

Blogging the (Un)Control Machine





“I broke out my camera gun and rushed the temple — This weapon takes and vibrates image to radio static — You see the priests were nothing but word and image, an old film rolling on and on with dead actors — Priests and temple guards went up in silver smoke as I blasted my way into the control room and burned the codices — Earthquake tremors under my feet I got out of there fast, blocks of limestone raining all around me — A great weight fell from the sky, winds of the earth whipping palm trees to the ground — Tidal waves rolled over the Mayan control calendar.” - William S. Burroughs, “The Mayan Caper”.




The author William S. Burroughs proclaimed, “smash the control images, smash the control machine” in “The Mayan Caper” from his 1961 novel The Soft Machine. Burroughs believed that the word and image has been used throughout human history to control thought. He particularly associated it with the Mayan civilization of Meso-America. Whether or not Burroughs was historically correct in his assessment of the “Mayan control calendar” is largely irrelevant today, if one pays attention to Burroughs more simple claim that images and words populate the imaginations of people when they are broadcast using the electronic mass media. Mass media for the majority of Burroughs’s life (1914-1997) was broadcast using the one-to-many model. Newspapers, Television and Radio beamed messages into the lives and minds of millions of people every day. This network of one-way information channels (if one ignores the heavily censored Letters to the Editor and talk back radio) is drowning today in an ocean of user driven digital content. Fourteen years after the death of Burroughs, anyone who can access the Internet can fashion their own ‘camera gun’ and begin beaming images into the minds of others. As a revolutionary force, the writings of William S Burroughs provide us with a set of principles that can be used to understand how the ruling order is replaced in relation to the digital media sphere. The blogs, wikis, live feeds, podcasts, web journals, micro blogs, RSS feeds and forums of today are soft weapons that ‘take and vibrate images to radio static’, breaking them up, distributing them and making the digital food of revolution. Blogging with its millions of channels is now the media ‘uncontrol machine’.  
In his fiction Burroughs paints a picture of a bygone society where one delves “Into the interior: a vast subdivision, antennae of television to the meaningless sky. In lifeproof houses they hover over the young, sop up a little of what they shut out” (Naked Lunch 11). Today it is nearly impossible to shut much out in the average suburban Western home, and controlling production of media content is like trying to contain a solar storm. Millions of channels circle the planet offering input and output possibilities for anyone with a story or an image. Among the many, the Chinese government attempts censorship in the face of this image horde, but there are always holes in any Great Wall. Recently a colleague travelled to China to give a series of lectures on film and the digital image. She was of course unable to access YouTube, so she Skyped instructions about which videos to rip off the site and I sent them to her from Europe via the file-sharing site Sprend. These videos were then shown in a Chinese university lecture hall. This is just one crude example of how information always finds a way. I would like to mention some others.
The proposed revolution of the Occupy Wall Street (OWS) movement is radio-sonic, if one judges by the radiating ‘i’ logo of the Global Revolution livestream site.  Twenty-four hours a day, beginning on September 17th 2011, people began occupying Zuccotti Park (Liberty Park) in Downtown Manhattan in New York. Coinciding with the physical occupation is the digital barrage of Twitter (micro-blogging run off hashtags), the live video stream, forum discussion, archives of links and comments, blog posts, still images, podcasts, live audio streams, email lists and YouTube videos. This river of information has sparked Occupy [enter-town-name] around the USA and even overseas. What could be relegated as a collection of disenfranchised and left-leaning complainers has quickly evolved into an idea (“occupy everything” seems to be its slogan, and it of course comes with a manifesto http://occupywallst.org/article/a-message-from-occupied-wall-street-day-five/). The ability of digital media to spread this idea (and I am doing it right here) is a testament to the tenacity of the word virus. The need to overcome the dominant dream narratives is most recently articulated by popular Slovenian philosopher Slovoj Zizek when he spoke at OWS on 9th October 2011 and said, "The ruling history has even limited our capacity to dream". The dream of authenticity goes on.



Philosopher-at-Large Slavoj Zizek addresses the crowd gathered in Liberty Plaza
 
 
 
 


Global Revolution media feed, Saturday October 8th 2011. The end of the Mayan Calendar as we know it?

The OWS movement is the latest and possibly most visible outside mainstream media of a series of high profile digital image barrages connected to popular protest and resistance we have seen develop over the last couple of years. In a rough time line that also shows a growing sophistication, these include the 2008-2009 Israeli-Gaza War, the 2009 election protests in Iran, the revolutions in Tunisia, Egypt and Libya, the civil uprising in Syria, and finally the present Occupation of Wall Street. The Israeli-Gaza War was mostly conducted on the Internet via Twitter, with some videos and websites taking up the events only often after they occurred. The 2009 election protests in Iran were Twitter based, but many of the feeds from the micro blogging site were located outside the boarders of the Islamic Republic. However, videos built an enormous following online for the ideas and demands of the dissident forces in Iran. This culminated in the murder online of Neda Agha-Soltan, a video of the shooting death of a beautiful young woman on a street in Tehran that went viral. As Neda gazed into the camera lens, blood gushing from her nose and mouth, the viewer was propelled into the human drama of a cruel and unjust situation. The image wars in Iran had just been stepped up a notch.
The speed of the revolution in Tunisia stunned the world. On 17th December 2010 a street vendor in the town of Sidi Bouzid set himself alight in protest over long term persecution by corrupt local street officials. Mohamed Bouazizi died on 4 January 2011, at 5:30 pm local time. Protests began immediately afterwards, and built up until President Zine El Abidine Ben Ali fled Tunisia with his family on 14 January 2011. The rest is history, and the role of social media in the build up to the flight of Ben Ali is contentious. Wikileaks is said to have playeda significant role in the turn of events in Tunisia, along with high unemployment, inflation and official corruption. However, the Tunisian uprising is clearly an example of the masses no longer believing the official control narrative of the government. As Mohamed Bouazizi lay dying in his hospital bed, Ben Ali visited him on December 28th 2010, promising to appoint a new Minister of Youth and to look into the unemployment problem (running at around 40% in Sidi Bouzid) . What resulted from the visit was an undermining of the official information line, with Al Jazeera reporting, “For many observers, the official photo of the president looking down on the bandaged young man had a different symbolism from what Ben Ali had probably intended.” The game was over for Ben Ali and a new set of images are still being developed to replace the old in Tunisia.
The revolutions in Egypt and Libya seem to follow a similar pattern to that of Tunisia, as information channels are gradually developed and become dominant, in form if not in content. This progression often mirrors the changes occurring in the streets and corridors of power in each nation. Images replace images as power shifts. Flows of information supporting one group or idea become larger, more regular and more widely distributed, as support grows and gains are made on the ground. What is different from the usual flows of propaganda in any political changeover is that the sources in these contemporary changeovers are multiple based on weight of numbers. While major broadcasters such as Al Jazeera covered the assembly in Tahrir Square in Cairo from atop the buildings around it, creating a visual metaphor of distance and collectivity, the real coverage was happening on Twitter, YouTube, Facebook and countless Egyptian blogs. Wael Abbas, Sandmonkey, Hossam Eid, Ali Seif, Nora Younis, Misr Digital, and Baheyya are some of the most popular blogs. It must also be remembered that in the last weeks of the regime of Hosni Mubarak the Internet was shut down for the entire of Egypt in an attempt to silence dissenting images and ideas. Microsoft billionaire Bill Gates commented on the shut down in a highly perceptive analysis, "Whenever you do something extraordinary like that, you're sort of showing people you're afraid of the truth getting out." In the same story by The Huffington Post it was revealed that efforts to shut down such an information network inevitably fail. As they did for Hosni Mubarak.
Attempts are still made in digital media sites to summarize the movement in a single form of language. In doing so the summary attempts to return a movement to the singular, what the Russian philosopher Mikhail Bakhtin calls a monoglossia, which identifies the locus of control with the authoritative interpretation of the word. The OWS movement is one example of this, where a major digital news site took pictures of 34 people in Liberty Park and described it, as “This should give you a pretty good idea of the different types of people occupying Wall Street“ .  What I would ask of buzzfeed’s summary of who is occupying Wall Street is where does the occupation begin and end? Is the video feed running 24 hours a day part of the occupation? What about the forums, blog posts, videos, and Tweets? Are they part of the occupation? If they are, where are they? With millions of channels open all over the Internet, the occupation of Wall Street has become part of the infrastructure of the World Wide Web, which as its name suggests, is worldwide. There is no place for an idea, as it occupies the world as a virus does, in time but not in space.
As the forms and practices of the OWS movement become more established they are copied. Well not so much copied, as manifested. It is contagious and how it is going to end we do not know yet. In researching this article I cam across a new site in the United Kingdom called BEYONDCLICKTAVISM, which gives a little bit of background and then four reasons for its existence:

Beyond Clicktivism was set up following the netroots uk event primarily to address the following questions:

  • What can we do online that is uniquely progressive so that if others emulate us their response is informed by progressive values?
  • How do we get people climbing the ladder of engagement, moving from Facebook “Likes” to actual concrete action?
  • How do we integrate progressive use of social media with non-political use of social media?
  • How can we build tools that can also be used to call politicians to account and stop the next Blair or Clegg from flying in the face of the principles of their parties and shamelessly tearing up their pledges to the electorate?

Directly below these points is the statement; “The scope and ambitions of the site have expanded since then.” I am sure I can say the same thing about the activists and media artists mentioned in this text, working around the clock and around the globe to realize some crazy dream they have, over and over again.

Wednesday, April 20, 2011

The Architecture of Access to Scientific Knowledge



Just in case you thought things were getting better in terms of access to knowledge for all, it's not really.

Professor Lawrence Lessig, Lecture at CERN, Geneva, Switzerland, 18 April 2011: A new talk about open access to academic or scientific information, with a bit of commentary about YouTube Copyright School.

Wednesday, January 06, 2010

NEXT, a Primer on Urban Painting


From my Home town, Toowoomba, Qld Australia. July 2009.

I just watched the film Next: A Primer on Urban Painting.



A global culture movement. Living not consuming.



“NEXT, a Primer on Urban Painting” is a documentary exploration of a phenomenon that was born on the streets of American cities and has come to influence youth culture all over the world. Combining verite visual moments and interviews with painters, journalists, collectors, sociologists, DJ’s, art critics and other participants within the subculture, the film will convey the dynamism and creative brilliance of this important emerging artistic movement.



and meanwhile in Sao Paulo:



and, the unseen beauty of tagging

Graffiti Analysis 2.0: Digital Blackbook from Evan Roth on Vimeo.

Monday, December 28, 2009

Iran



Watching the huge number of protesters streaming down a street in Tehran I wondered about their lives. I can see their faces in this video. Seemingly ordinary people risking life and limb to manifest a disapproval of what passes as their government. They chant "Death to the dictator", and film each other, moving about the cars that are staled and stuck in the sea of public opinion that sweeps around them.

I have taken to the streets (and the forests) myself and disobeyed they law to express an opinion, and prevent an act which I and many others believed to be wrong from continuing. The feeling when one is in the 'protest space', where the rules of the mass society have become the rules of the group (perhaps one can say mob) is an exhilarating sensation when it goes well. If it goes badly it can be terrifying as the authorities reclaim the space for the state.

Yesterday a group of the feared Basij militia were outnumbered and overpowered and beaten by protesters.




In another incident Basij were overpowered, beaten and their motorcycles burnt:



The intensity of the protest is so much greater than it was in the June demonstrations. It seems the popular forces are no longer as cautious as they were around the time of the death of Neda Agha-Soltan.




The only certainty regarding the events in Tehran is that there will be more deaths. The protesters are clearly aware of this but it seems that it is not deterring them. The future for Iran is being decided but it is not a revolution, it is a civil war.


Nightly chant at Tehran Ashura 88

Iran News Now has been running Live-blog: Ashura in Iran – December 27, 2009.
For more see

Justice for Iran
Tumblr: Basij
Tehran Live
BBC Photos

Sunday, December 06, 2009

What is Happpening in Afghanistan?


Interview with “Zoya” from RAWA (Revolutionary Association of the Women of Afghanistan) on GRITtv (via The Afghan Women Tug of War — Feministe)

Monday, November 09, 2009

Slavoj Žižek Speaks at Cooper Union



“First as Tragedy, Then As Farce”: Philosopher and Cultural Theorist Slavoj Žižek Speaks at Cooper Union
Dubbed by the National Review as “the most dangerous political philosopher in the West” and the New York Times as “the Elvis of cultural theory,” Slovenian philosopher and public intellectual Slavoj Žižek has written over fifty books on philosophy, psychoanalysis, theology, history and political theory.

In his latest book, First as Tragedy, Then as Farce, Žižek analyzes how the United States has moved from the tragedy of 9/11 to what he calls the farce of the financial meltdown.

He spoke on that same theme at Cooper Union during a recent trip to New York.

Monday, August 24, 2009

Thursday, July 02, 2009

Copyright and Fortress Europe

Earlier today I watched most of a two and half hour discussion on copyright, digital culture, file sharing and the internet hosted by the Fores Seminar (it is in Swedish but the video is available from the link). The panel was divided along the pro-copyright/anti-pirate and anti-copyright/pro-pirate divide (although several of the participants distanced themselves from such a simplistic divide). It started with a series of 'what is good about copyright?', which led into 'what is bad about it'? Those on the panel, many of them well known in Sweden for their professional activities in the areas discussed (lawyers, academics, politicians and business people including Monique Wadsted, Göran Lambertz, Olle Abrahamsson, Rasmus Fleischer, Nicklas Lundblad and Hans Pandeya) expressed standard opinions; why we need copyright, how artists must be paid for their work if culture is to survive, how file sharing is stealing, that it is not stealing, that we are in the midst of a revolution brought about by digital media, that we are not in the midst of a revolution and it has all happened before and so on. The main theme of the discussion (it never really got to the level of debate) was consumption and how it is to be preserved in any future digital culture that may eventuate. This got me thinking.

Even during the broadcast of the Fores panel I was amazed that nobody brought up the idea that copyright not only protects the interests of the artists (and producers, publishers, legitimate distributors etc.) it also protects the wealth of the nations from which they come. Why are we in the developed post-industrial world not seeking ways of helping the developing world through providing access to cultural resources? Why cannot the Global North produce a system of copyright which allows for those that can pay to pay and those that cannot, not? Countries could be given 'copyright credits' with a country like Sierra Leone having free access to everything for a period of five or ten years, while countries like Germany or the USA pay a bit extra. The benefits of these copyright credits cannot be channeled into commercial media until education in the nation has been granted the full benefits of them. Textbooks, films, computer software and audio materials are all free for the education system of the benefiting nation during the period allocated for the copyright credits. Implementation of the materials could be arranged via UNESCO.

Following my initial thoughts of the Fores Seminar, tonight I watched Zapatista, a film from 1999 about the struggle in Chaipas, a struggle that is a direct result of global policy making having catastrophic effects at local levels. As well the Tällberg Forum is on again, this year looking at the possible future that awaits us if we do not start making decisions based on the state of the collective, rather than the wealthy few who can afford to ride out the worst of the havoc wrecked by unbridled consumption and industrial production. I believe copyright is part of this scenario. Copyright is as effective as a wall or navy flotilla in holding out the poor of the world from the riches of the culture and knowledge economy. If there is to be a readdress of copyright in Europe (and this seems unlikely), the possibilities to help those nations to the South should be considered. It could even be offset by a reduction in development aid to the nations that receive copyright credits, saving money for the generous nations who are willing to support such a scheme (so kind they are).

Of course there is no mention of any such crazy ideas in the Fores Seminar.

Friday, May 08, 2009

Visiting Guantánamo in Second Life



Many so-called enemy combatants are still held at the US military run detention facility at Guantanamo Bay, Cuba, most of them never charged of any crime. January 11, 2009 marked the seven-year anniversary of the arrival of prisoners at Guantánamo Bay.

Having just blogged an obituary for Augusto Boal, I think he would have approved of such a project as Virtual Guantánamo, a simulation of the United States military detention center in Cuba within the virtual online world of Second Life. By exposing such institutions within the structures of the state apparatus, the possibilities for democracy are strengthened.

Tuesday, March 10, 2009

Tibet 1959-2009


Video: The Yogis of Tibet
Since the invasion of Tibet over 50 years ago, China has systematically destroyed the Tibetan culture. One of the most profound losses is the tradition of the great master yogis. The entire system which supported these fascinating mind masters has been inexorably eliminated. In order to record these mystical practitioners for posterity, the filmmakers were given permission to film heretofore secret demonstrations and to conduct interviews on subject matter rarely discussed. This profound historical, spiritual and educational film will someday be the last remnant of these amazing practitioners.

Today on the fiftieth anniversary of the flight of his Holiness The 14th Dalai Lama from Tibet to India, the Tibetan spiritual leader, the Dalai Lama, accused the Chinese Government of putting his people through "hell on Earth".

The Dalai Lama accused Beijing of "repressive and violent campaigns" that have killed hundreds of thousands of Tibetans and destroyed its cultural heritage.

"These 50 years have brought untold suffering and destruction to the land and the people of Tibet," he said.

China described the critical comments from the Dalai Lama as "lies" and insisted Tibet has enjoyed profound democratic reforms under Chinese rule.

In the landmark speech to commemorate 50 years since he fled Tibet, the Dalai Lama dispelled speculation that he would step back from the struggle for Tibetan autonomy. "To work for the cause of Tibet is the responsibility of every Tibetan, and as long as I live I will uphold this responsibility."

“Today, the religion, culture, language and identity, which successive generations of Tibetans have considered more precious than their lives, are nearing extinction,” said the Dalai Lama, 73, the spiritual leader of the Tibetans. SMH, NYT

Saturday, February 07, 2009

Swingers


"Men who look confused, like fish getting clubbed on the pier."
Steven Jesse Bernstein

Friday, January 09, 2009

Division Empire and Time



When I look at this image of the slow erosion of Palestine I think also of the Partition of India. The British did the same thing with India (in the very same year that the UN partition plan was rejected). The Indian catastrophe is a division along ethnic and religious groundings that haunt the world to this day. I recomend (once again) Yasmin Kahn's book, The Great Partition:

The Partition of India in 1947 promised its people both political and religious freedom—through the liberation of India from British rule, and the creation of the Muslim state of Pakistan. Instead, the geographical divide brought displacement and death, and it benefited the few at the expense of the very many. Thousands of women were raped, at least one million people were killed, and ten to fifteen million were forced to leave their homes as refugees. One of the first events of decolonization in the twentieth century, Partition was also one of the most bloody.

In this book Yasmin Khan examines the context, execution, and aftermath of Partition, weaving together local politics and ordinary lives with the larger political forces at play. She exposes the widespread obliviousness to what Partition would entail in practice and how it would affect the populace. Drawing together fresh information from an array of sources, Khan underscores the catastrophic human cost and shows why the repercussions of Partition resound even now, some sixty years later. The book is an intelligent and timely analysis of Partition, the haste and recklessness with which it was completed, and the damaging legacy left in its wake.


It seems like dividing occupied populations was quite the thing to do in 1947. And then leaving them to sort out the mess.

Thursday, January 08, 2009

Occupation 101: Voice of the Silenced Majority



After staying up until midnight writing, I then stayed up longer and watched this film (so tired). Occupation 101 is a amazing summary of the forces behind the conflict between the Palestinian people and the modern state of Israel. I found it a thought provoking and surprisingly balanced account of the situation. One thing that shone through for me was the post-colonial/colonial realities of what is going on in the occupied territories. This is not an ancient struggle, it is an occupation based on power. I have been thinking a lot about this film since I saw it. Maybe you will too.

Occupation 101: Voice of the Silenced Majority is a 2006 documentary on the Israeli-Palestinian conflict directed by Sufyan Omeish and Abdallah Omeish, and narrated by If Americans Knew founder Alison Weir. The film focuses on the reality and the effects of the Israeli occupation of the West Bank and Gaza Strip and discusses events from the rise of Zionism to the Second Intifada and Israel's unilateral disengagement plan, and presents its case through dozens of interviews. It questions the nature of Israeli-American relations. Specifically, it questions the Israeli military occupation of the West Bank and Gaza, and whether Americans should help pay for it.[1] Occupation 101 includes interviews with mostly American and Israeli scholars, religious leaders, humanitarian workers, and NGO's critical of the injustices and human rights abuses that stem from Israeli policy in the West Bank, East Jerusalem, and Gaza Strip.

Wikipedia

Sunday, December 28, 2008

China Awaits


Chinese Dub Orchestra (with Jah Wobble)
Improvised duet of 'No No No' by Cleo Rose and Gu YingJi under the direction of Mr Jah Wobble


Rice Corpse
Featuring the glass blowing talents of an old acquaintance of mine, Mr Lucas Abela.

Rice Corpse and Chinese Dub Orchestra are two examples of artists from outside going into China and making contact. With the growing dominance of China in the world, contact and exchange between artists over the borders is important. I hope 2009 is a year of hybrid cooperation between the enormous wealth of art, music, dance, theater, performance and writing from China and the rest of the world.